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Home » Cut+Run Creates Bespoke Edit For The Council Of Fashion Designers Award Film Series

Cut+Run Creates Bespoke Edit For The Council Of Fashion Designers Award Film Series

The Council of Fashion Designers of America film series is as bold, original and strikingly beautiful as the icons and designs they showcase. Directed by Jun Diaz, produced by Tiger and Dragon Films, and edited by Cut+Run's Akiko Iwakawa and Adam Bazadona, the series was commissioned by the CFDA for its annual awards celebration. The CFDA Fashion Awards celebrates and recognizes outstanding contributions made to American fashion by individuals in all areas of the industry and related arts. This year's honorees included Vera Wang, Riccardo Tisci, Tim Blanks, and Colleen Atwood.

The films – eight in all – are connected via the through line of place: a dramatic Mansion on the Hudson from which the individual stories unfold. In each, the fashion takes the form of character, living as part of the narrative framework in each of the episodes. In previous years CFDA Fashion Awards producer and Tiger and Dragon EP/Creative Director Nian Fish, commissioned individual directors for the films. For 2013, Fish envisioned the project in an episodic structure and tapped director Jun Diaz to bring the unique concept and filmic approach to life.

"With almost no time to prepare for a job this big, I was fortunate to lock in cinematographer Andrij Parekh, production designer Tony Gasparro, the visual magic of the Mill and Absolute Post, music producers Randall Postaer and Sara Matarazzo, and one of my favorite editors in the business Cut+Run's Akiko Iwakawa," explains director Jun Diaz. "Akiko's command of the visual language and rhythm for dialogue was a superb fit to the footage. She brought in Adam Bazadona as an additional editor, who was a great addition to the team. As a partner to the process, Cut+ Run couldn't have been more invested in seeing that the project was a success."

For Akiko Iwakawa, the films provided a unique opportunity to contribute to a longform campaign that would reunite her with friend Jun Diaz. "Jun is an amazing director who has extremely sharp vision for story-telling, as such, is very collaborative and supportive. I loved the notion of honoring fashion through these magnificent and playful episodes that together became a bigger journey. Blessed with strong support from Jun and the production team, this was a rare opportunity for both Adam & me to bring a beautiful concept to life."

Credits
Client: CFDA

Production Company: Tiger and Dragon Films
EP/Creative Director: Nian Fish
Director: Jun Diaz

Editorial Company: Cut+Run
Editors: Akiko Iwakawa and Adam Bazadona
EP: Rana Martin

For more information on Cut+Run please visit www.cutandrun.com or connect via Facebook.

–SHOOT Publicity Wire

About Dan Ochiva

New York City-based journalist and NYCPPNEWS founder Dan Ochiva writes and consults on film, video, and digital media technology.

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

NJ – Governor Murphy signs $14B Incentive Program Bill – the NJ Economic Recovery Act of 2020

 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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