D.W. Leitner Podcasts about NAB 2010 — Day 4

“The predominant theme at NAB 2010–seeing double.”
Photo credit: DW Leitner

The penultimate Day 4 of David Leitner’s podcasts from NAB 2010 returns to what stood out as the over-riding theme of the show, 3D. But first we hear about a change of mind over RED’s Epic, a “Mamiya-like” (i.e. mid-range format) camcorder that turns out to be a lot easier to work with than Leitner could tell from prototype models.

Meanwhile, the facts are revealed about the optics of Panasonic’s new 3D camcorder; we also hear of 3D educational opportunities from Sony and Panasonic; a SMPTE meeting where we learn that there are at least six different, contending methods for transmitting 3D over cable; and what 3D cheats were needed in Avatar to make the effects work as promised. This podcast runs about 11 minutes.

[podcast]http://nycppnews.com/wp-content/uploads/2010/04/Day-4-FINAL-Pt-1.mp3[/podcast]

“Not binoculars–even tiny cameras are twinned at NAB.”
Photo credit: DW Leitner

The second part of today’s podcast delves further into trying to suss out the place for 3D in today’s production schema. Where are the monitors to watch 3D? Today you can’t watch 3D on a standard TV monitor unless it’s anaglyphic–that’s the those older, more or less obsolete cyan/red eyeglasses–but everyone is now going the route of polarized glasses.

Will all those big screen buyers now toss them for newer models?. Also an analysis of what it might take to have 3D take off in the market. Runs about 10 1/2 minutes.

[podcast]http://nycppnews.com/wp-content/uploads/2010/04/Day-4-FINAL-Pt-2.mp3[/podcast]

“What all the fuss is about. Panasonic’s AG-3DA1 Integrated Twin-Lens 3D Camera.”
Photo credit: DW Leitner

“RayBan at NAB? Naw, just Panasonic’s booth. (Perhaps the coolest-looking NAB ever.)”
Photo credit: DW Leitner

“Panasonic’s Jan Crittenden Livingston strikes a downtown pose.”
Photo credit: DW Leitner

About Dan Ochiva

New York City-based journalist and NYCPPNEWS founder Dan Ochiva writes and consults on film, video, and digital media technology.

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.