• About
  • Archives
  • Advertising

NYCPPNEWS

NYC Production & Post News

  • Home
  • Directory Listings
    • The Standby Program
    • Brooklyn College
    • Brooklyn Workforce Innovations
    • Columbia University Film Program
    • Downtown Community Television Center
    • Electronic Arts Intermix
    • Film Biz Recycling
    • Freelancers Union
    • Independent Filmmaker Project
    • Manhattan Edit Workshop
    • Mediakite Training Center
    • New York Film Academy
    • New York Film/Video Council
    • New York Institute of Technology
    • New York Production Alliance
    • New York Video School
    • New York Women in Film & Television
    • NYU Film & Television
    • Post New York Alliance
    • The Independent Film School
    • International Film Institute of New York
    • The New School – Documentary Studies
    • The New School — MA in Media Studies
    • Union Docs
    • Upstate Independents
    • Syracuse Film Office
Home » Deluxe Entertainment Services Opens Major New Mixing Stage in New York

Deluxe Entertainment Services Opens Major New Mixing Stage in New York

Deluxe New York, a Deluxe Entertainment Services company, is proud to announce the opening of its brand new sound mixing stage. This high-end space represents a significant expansion of the company’s feature film post production offerings in the city.

Located in the 435 Hudson Street facility, the mixing facility features a fully outfitted stage for sound artists working on any size feature or TV project to come and work. The 18-seat theater includes an Avid ProTools Dual Icon board and full complement of inputs for additional drives and workstations and an environment 32-feet long, 25-feet wide and 16-feet high with a 19-by-11-foot screen. Projection systems are the finest available for film and digital projection, and the room is capable of audio playback in every format, including 5.1 and 7.1; Dolby SR, Dolby Digital (SRD); DTS.

“Recently, we’ve seen a considerable increase in demand for major mixing stages in New York,” explains Deluxe New York’s General Manager, Domenic Rom. “This luxurious space offers producers a chance to mix any kind of feature or television project. For the many productions also working at Deluxe NY for their color grading or editorial needs, this top-flight mixing stage in the same building is an extra convenience.”

As soon as it opened as a mixing stage, the renowned Supervising Sound Editor and Re-recording Mixer Craig Henighan (Black Swan, Snow White and the Huntsman) and his team christened the space for some work they were doing on a major studio feature slated for release next year. “The technical setup was completely familiar and the room sounds very good,” Henighan reports. “We were in there as soon as the paint was dry and we could do our work exactly as we would at any top-level mixing stage.”

“This theater is one of the best and most advanced in the city, and the very best in the downtown area,” notes David Feldman, Director of Sales for (sister company) Company 3, NY. “The mixing stage is a great new option for all feature productions interested in posting in New York.”

About Deluxe Entertainment Services Group Inc.


A wholly-owned subsidiary of MacAndrews & Forbes Holdings Inc., Deluxe is a leading provider of a broad range of services and technologies for the global digital media and entertainment industry. Bringing together a comprehensive network of specialized companies with best-in-class artistry, cutting-edge technology, streamlined delivery and distribution solutions and customized management strategies, Deluxe approaches all of its businesses with an ingrained attention to quality, detail and creativity.

From start to finish, in whatever format or language is required, Deluxe has the infrastructure and in-house capacity to provide complete solutions to a broad range of customers, including: major motion picture studios, television networks and cable companies, advertising agencies, brands, production companies, independent distributors and content owners.

About Dan Ochiva

New York City-based journalist and NYCPPNEWS founder Dan Ochiva writes and consults on film, video, and digital media technology.

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

U.K. Extends COVID Insurance Scheme; Distributes $21 Million in Cinema Grants

The U.K.’s insurance scheme for film and television has been extended until April.

Known as the Film and TV Production Restart Scheme, the groundbreaking £500 million ($676 million) fund assures productions that they’ll receive financial support in case of COVID-related losses. The program has so far accepted 100 qualifying productions.

To read the full article in Variety, click on this link. 

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

  • About
  • Archives
  • Advertising
Copyright © 2021 NYCPPNEWS | Site Built with Studio Press Genesis