New York Film/Video Council

The New York Film/Video Council is New York’s oldest continuously operating non-profit serving the independent film, video and electronic arts community. For over 70 years, we’ve been a haven for lively discussions, panels and screenings.

Founded in the 1940s, the Council was one of the only film organizations operating in New York. Now, in a rich sea of film and media organizations, the Council is unique in drawing together members for conversation across the breadth of our community.

Our roster of members includes important narrative, avant-garde and documentary filmmakers, programmers, archivists, scriptwriters, critics, professors, animators and others with a passion for film. NYFVC members are affiliated with such organizations as The Museum of Modern Art, Filmakers Library, The New York Public Library, the IFP, Maysles Films, SVA, EAI, Columbia, and BAM.

Over the years, NYFVC programs have addressed technological innovation, independent production, finance, production, distribution and exhibition, international production, fair use, restoration, non-theatrical media for social change among other urgent topics. The evolution of the NYFVC has always mirrored the evolution of the field.
In 2011, the Council fulfills our mission by generating programs that bring members into conversation with some of the most dynamic and diverse film and media people and happenings in New York.

Dedicated to service, the NYFVC is run by an entirely volunteer board and spends every penny of dues on programming and events, which are largely FREE for members.

Click here for more information.

AMC’s “The Walking Dead” was one of many other TV series and films experiencing delays in production following the onset of COVID-19.

With the final season delayed a full year, AMC ultimately decided to order six extra episodes to tack onto its current season that was shot during the pandemic in order to bridge the gap between seasons, with the episodes being written to include a smaller number of characters in each story.

This may be one production workaround during a pandemic, but another format of filmmaking proving useful in the coronavirus era is growing in overall prominence: virtual production.

To read the full article in Variety, click here.

With the completion of the sale of Technicolor Post to Streamland Media earlier this month, Technicolor has stepped away from its legacy business in color and is proceeding with its next chapter — an intention to make visual effects and animation a central part of its business, including an aggressive plan to potentially double the size of its feature animation offerings during the next year and later expand beyond service provider into a content producer.

To read the full article on M+E Daily, click here.

There’s a new union in town: the Producers Union, which is the first all-new Hollywood labor union to be formed in decades. More than 100 indie feature filmmakers have unanimously ratified its constitution, and more than 300 have signed letters of intent to join.

“After decades of working without basic protections, low and/or inconsistent wages, no employer healthcare contributions, and an industry insistence that they should work for free to demonstrate their commitment, film producers are taking a stand,” organizers said in a statement.

The Producers Union website launches today.

To read the full article on Deadline, click here.

The Academy Software Foundation is hosting its third annual Open Source Days on August 4 and 5, 2021. The free, virtual event brings together the motion picture industry’s open source community to collaborate and learn about open source software for visual effects, animation, and content creation.

Attendees will get the latest updates on Academy Software Foundation projects and other popular open-source projects used for visual effects, animation, and image creation.

To read the rest of the article on the website of the Academy Software Foundation, click here.