The Standby Program

THE STANDBY PROGRAM, INC. is a non-profit media arts service organization founded in 1983. Standby’s mission is to foster the creation and preservation of media art work by democratizing access to media technology, providing technical information and consultation, and creating resources which advance the development of the field as a whole.

Standby provides artists and independent makers access to state-of-the-art media services at affordable rates. Standby is an innovative program that allows the arts community access to the resources of the private sector. The program operates out of several top-rated media post-production studios located in New York City. These facilities drastically discount their rates for Standby clients by as much as 25 -85% off list prices.

The Standby Program allows artists and independent producers access to the highest quality post production facilities available.

POST PRODUCTION SERVICES

+EDITING
+AUDIO POST PRODUCTION
+DVD AUTHORING
+DUPLICATION & CONVERSIONS
+PRESERVATION – RESTORATION
+FILM PROCESSING & FILM TO TAPE

Film and digital media services include:

broadcast quality video editing
color correction
audio post-production
35mm, 16mm & Super-8 processing
film to tape transfers
format conversions
duplication
video & audio preservation
DVD authoring
technical consultation

EDITING

ALL SERVICES ARE PER HOUR AND INCLUDE AN EDITOR/OPERATOR

AVID Symphony $100
Final Cut Pro Editing: $100-$150
Smoke/Flame $200
After Effects $200

AUDIO POST PRODUCTION

Hourly rate $100-$150

ProTools Editing and Mixing
Voice-over, ADR, and foley recording
Sound Effects and Sound Design

DVD AUTHORING

CALL for quote

DUPLICATION & CONVERSIONS

Email us with format, length and sources and we’ll send you a quote.

PRESERVATION RESTORATION

PER TAPE HOUR, STOCK IS ADDITIONAL

1/2″ Open Reel Transfer (1/2 Hr. Minimum)
1″ Video Transfer
3/4″, VHS, Hi8, 8mm, Betamax, Beta SP Videotape

Visit our PRESERVATION PAGE for more information

FILM PROCESSING & FILM TO TAPE

We are currently working with Colorlab NYC; all our members receive as Standby Rate when working with Colorlab.

(Ed: Newsom will use that money to lure long-term TV shows to California. New York will be an obvious target.)

Gov. Gavin Newsom said Friday that his budget proposal will add $30 million to the state’s film and TV tax incentive program this year, as the state doles out a $75 billion surplus.

The $30 million is on top of the $330 million that the state provides annually to subsidize TV and film productions. The extra funds — which still must be approved by the Legislature — would be earmarked specifically for TV projects that are relocating to California from other states or from overseas.

“This is an opportunity for all of those productions, TV and others, in places like Georgia whose values don’t necessarily always align with the production crews, to consider coming back to the state of California,” Newsom said at a press conference Friday.

To read the full article in Variety, click here.

AMC’s “The Walking Dead” was one of many other TV series and films experiencing delays in production following the onset of COVID-19.

With the final season delayed a full year, AMC ultimately decided to order six extra episodes to tack onto its current season that was shot during the pandemic in order to bridge the gap between seasons, with the episodes being written to include a smaller number of characters in each story.

This may be one production workaround during a pandemic, but another format of filmmaking proving useful in the coronavirus era is growing in overall prominence: virtual production.

To read the full article in Variety, click here.

With the completion of the sale of Technicolor Post to Streamland Media earlier this month, Technicolor has stepped away from its legacy business in color and is proceeding with its next chapter — an intention to make visual effects and animation a central part of its business, including an aggressive plan to potentially double the size of its feature animation offerings during the next year and later expand beyond service provider into a content producer.

To read the full article on M+E Daily, click here.

There’s a new union in town: the Producers Union, which is the first all-new Hollywood labor union to be formed in decades. More than 100 indie feature filmmakers have unanimously ratified its constitution, and more than 300 have signed letters of intent to join.

“After decades of working without basic protections, low and/or inconsistent wages, no employer healthcare contributions, and an industry insistence that they should work for free to demonstrate their commitment, film producers are taking a stand,” organizers said in a statement.

The Producers Union website launches today.

To read the full article on Deadline, click here.

The Academy Software Foundation is hosting its third annual Open Source Days on August 4 and 5, 2021. The free, virtual event brings together the motion picture industry’s open source community to collaborate and learn about open source software for visual effects, animation, and content creation.

Attendees will get the latest updates on Academy Software Foundation projects and other popular open-source projects used for visual effects, animation, and image creation.

To read the rest of the article on the website of the Academy Software Foundation, click here.