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Home » Directory Listings » International Film Institute of New York

International Film Institute of New York

The International Film Institute of New York (IFI) was founded to provide high quality, low cost education in all aspects of film-making: screenwriting, directing, producing, cinematography, and editing. Digital technology is utilized in both production and post-production disciplines, along with a thorough grounding in all applications of conventional film techniques. The all-inclusive curriculum combines classroom instruction, with industry professionals, accompanied by hands-on workshops using state-of-the-art equipment.

The program serves as a resource to both new and established filmmakers by encouraging the use the Institute’s creative resources for their own projects.By fostering talented students through the curriculum, the Institute will have immediate access to new content for potential production, development and distribution.

With a faculty composed of highly qualified film teachers, industry professionals and resources provided by the Institute, students will learn not only how to “make” a film but will be made aware through various courses of the aesthetic, social and political ramifications of film both as art and as commerce.

The IFI uses the best of the new digital technology to teach fundamental film-making skills to its students. The immediacy of new digital formats allows an accelerated educational pace to be maintained throughout all of the courses. Composition, shot development, editing, lenses, filters and a wide range of technical and artistic skills are introduced to students using state of the art digital video cameras and non-linear computer editing systems. This approach affords students the maximum amount of hands-on time in acquiring basic skill sets, allowing them to master the fundamentals easily and more quickly. Additional hands-on classes smooth the transition from digital to film providing the students with an overall understanding of the different technologies and how they both compete with and complement each other.

Our student body includes individuals from diverse backgrounds and nationalities.They are drawn to the IFI for its faculty, curriculum, and overall quality of education.

Our intensive, hands on program, takes the student from concept to final screening while working on the practical steps in between.

While technology changes every time we turn around, the rules of good Storytelling have remained the same for five thousand years. We don’t choose to see a movie because of the camera it was shot with; we go because of the story, the actors, the director, or even the producer.

Sid Gannis, President of the Academy of Motion Picture Arts and Sciences said, “State of the art technique will change, state of the heart of storytelling will not”, the IFI focuses instruction on the art and craft of storytelling.

The International Film Institute of New York
718-796-4104
programs@nyfilmschool.com

http://www.nyfilmschool.com/

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

NJ – Governor Murphy signs $14B Incentive Program Bill – the NJ Economic Recovery Act of 2020

 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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