The New School — MA in Media Studies

Many graduate programs ask you to choose between studying media and creating it. The innovative MA in Media Studies at The New School expects you to do both. It allows you to integrate studies in media history, theory, research and management with production work in film, audio, video, and digital media—so you can advance in almost any area of this wide-ranging field.

Media studies graduates use their degrees to enhance their current careers or build new ones. Our graduates work in fields ranging from advertising, non-profit management and media research, to media advocacy and education. Some stay in the world of academia by pursuing PhDs and going on to become university professors. Still others seek creative outlets as artists, filmmakers, and designers.

Flexibility and interdisciplinary study are fundamental to the success of this program. At The New School, you work closely with an advisor to identify your interests and select courses that fit your goals. Most classes are held in late afternoons, evenings, and weekends to accommodate the schedules of working professionals. And our online option allows you to take classes anytime from anywhere.

Integrate coursework in broad areas of study including:

Social Media and Social Change
Media Management
Media and the Urban Environment
Media and International Affairs
Documentary Studies
Film and Video
Sound Studies and Acoustic Environments
Media Design
Special Research Topics

Students in New York City have access to the exciting networking opportunities and professional resources that are only available in the world’s media capital. Students in New York can also apply for internships, attend events on and off campus, and utilize the labs, equipment, and resources of a major university.

MA in Media Studies at The New School

A letter from International Cinematographers Guild President John Lindley and 13 other top cinematographers was sent to Hollywood studios urging them to reduce excessively long workday hours on film sets as they resumed talks with IATSE on Tuesday on a new collective bargaining agreement.

Along with Lindley, the letter was signed by four Oscar-winning cinematographers, including Roger A. Deakins (“1917,” “Blade Runner 2049”), Emmanuel Lubezki (“The Revenant”), Erik Messerschmidt (“Mank”), and John Toll (“Braveheart”).

Read the full article on TheWrap by clicking here.

PITTSFIELD — Get Diane Pearlman talking about visual effects and she will provide several stories about cutting-edge techniques that were created in the Berkshires for many well-known movies.

For six years in the 1990s, Pearlman served as executive producer and general manager of Mass.Illusion, a visual effects movie studio that had an office in Lenox. Two movies that Mass.Illusion worked on in the Berkshires, “What Dreams May Come” and “The Matrix,” received Academy Awards for visual effects in 1999 and 2000, respectively.

Mass.Illusions no longer exists, but Pearlman remained in the Berkshires after the company was sold. She now serves as executive director of the Berkshire Film and Media Collaborative, an organization that promotes and facilitates film and media production in the Berkshires.

To read the full story on The Berkshire Eagle, click here.

Last month, Ben Gottlieb, a 27-year-old set lighting technician, wanted to show his support for his union’s campaign to improve working conditions on film sets so he wrote an Instagram post calling for an end to 12- to 14-hour shifts.

As with many of his colleagues, the Brooklynite felt burned out after working grueling hours without substantial breaks for much of the last year. Some nights, he was so tired driving home that he felt inebriated. He even thought about quitting — only two years after joining his union, IATSE Local 52.

The post struck a chord, drawing more than 21,000 likes. Gottlieb was soon inundated with messages from industry colleagues sharing their own stories, which prompted him to create a dedicated page called IATSE Stories. In just a few weeks, more than 500 posts have drawn nearly 17,000 followers to the page.

To read the entire story on the Los Angeles Times’ site, click here.

IATSE leaders say they remain “very far apart” on a wide range of issues in their negotiations with management’s AMPTP for a new film and TV contract.

“After more than six weeks of negotiation over a period of four months, it remains clear that the employers are unwilling to resolve our priority issues – living wages, reasonable rest, meal breaks, sustainable benefits and streaming – aka ‘not so new media,’” IATSE president Matthew Loeb and leaders of the union’s 13 West Coast studio locals said today in a message to their members.

To read the full article on Deadline.com, click here.

IATSE is gearing up for a possible strike against the film and television industry, which would be the first industry-wide strike in the union’s history. The union and management’s AMPTP will return to the bargaining table on Thursday in an effort to reach an agreement on a new film and TV contract in advance of Friday’s expiration of their current deal.

A strike, if it comes to that, would still be several weeks away, however, as IATSE continues to lay the groundwork for a possible walkout, which includes a text-messaging campaign to educate members about the negotiations and what’s at stake.

To read the full article on Deadline, click here.