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Home » Disney to Drop $200 Million on Marvel Series for Netflix in New York City

Disney to Drop $200 Million on Marvel Series for Netflix in New York City

Governor Andrew M. Cuomo, The Walt Disney Company, Marvel and Netflix Inc. today announced that Marvel’s landmark live-action television series, which will bring Marvel’s ‘flawed heroes of Hell’s Kitchen’ characters to Netflix, the world’s leading Internet TV network, will principally film in New York State. Produced by Marvel Television, in association with ABC Television Studios, this groundbreaking series is Marvel’s most ambitious foray yet into live-action television storytelling and represents the largest film or television production project commitment in New York State history.

Filming is set to begin in the Summer 2014 and will create at least three thousand jobs in New York State including up to 400 full time jobs. The project will include nearly 60 one-hour episodes focused on the 4 Defenders characters: Daredevil, Jessica Jones, Luke Cage and Iron Fist.

“New York is where the entertainment industry started, and this unprecedented commitment from Disney and Marvel is further evidence that we’re bringing it back bigger and better than ever before,” said Governor Cuomo. “And when the entertainment industry thrives, it fuels dozens of other industries and businesses. The competition for these projects is fierce and Disney could have chosen to film these shows anywhere, but they knew that shooting in New York means getting to work with the best in world. These shows bring New York’s superheroes home where they belong – along with hundreds of jobs and millions of dollars in new business.”

“Since 2008 Disney has directly contributed almost half a billion dollars to New York’s economy through television and film production, along with approximately 9,000 jobs for New Yorkers,” said Robert A. Iger, Chairman and CEO, The Walt Disney Company. “The Governor’s policies make this great state a more affordable and attractive location, opening the door for even greater economic investment and job creation for New Yorkers. Our Marvel series for Netflix will inject millions directly into the local economy and create hundreds of new jobs.”

“We thank the Governor and the great state of New York for helping us create the ultimate backdrop to this epic series. Setting our production in New York City truly underscores the authenticity and excitement we plan to bring to The Defenders and their ‘flawed heroes of Hell’s Kitchen’ stories,” said Alan Fine, President, Marvel Entertainment.

Last November, Disney and Netflix announced an unprecedented deal for Marvel TV to bring multiple original series of live-action adventures of four of Marvel’s most popular characters exclusively to the world’s leading Internet TV Network beginning in 2015. This pioneering agreement calls for Marvel to develop four serialized programs totaling 52 one-hour episodes culminating in a four to eight episode mini-series programming event. Led by a series focused on “Daredevil,” followed by “Jessica Jones,” “Iron Fist” and “Luke Cage,” the epic will unfold over multiple years of original programming, taking viewers deep into the gritty world of heroes and villains of Hell’s Kitchen, New York. Netflix has committed to a minimum of four, thirteen episodes series and a mini-series event in which the Marvel characters from the first four series team up as “The Defenders,” much like “The Avengers.”

This new original TV deal follows last year’s landmark movie distribution deal through which, beginning with 2016 theatrically released feature films, Netflix will be the exclusive U.S. subscription television service for first-run, live-action and animated movies from the Walt Disney Studios, including titles from Disney, Walt Disney Animation Studios, Pixar Animation Studios, Marvel Studios, Disneynature and Lucasfilm.

“The Defenders are classic New York characters; smart, resourceful and tough enough to always stand up for what’s right,” said Ted Sarandos, Netflix Chief Content Officer. “We’re delighted they’re coming to life on their home turf thanks to Governor Cuomo and his team.”

When Governor Cuomo took office in 2011, he made the attraction of the film and television production and post-production industries, and jobs and the economic impact they bring with them, a key part of his overall strategy to grow New York State’s economy. Since that time, he has signed into law several important changes to both programs to make New York more competitive in this global marketplace, and the results have been significant. Both programs enjoyed record-breaking years in 2013, bringing billions of dollars in new spending and thousands of jobs into the Empire State. The stability provided by multiyear funding has particularly encouraged the development of television series production work, like the new Marvel series, as well as long term investments in infrastructure, all of which creates thousands of jobs directly and indirectly related to the actual productions themselves.

During calendar year 2013, applications for 183 film productions were submitted that included 124 films, 33 television programs and 26 pilots. These projects will:

  • Generate a direct spend of $2.11 billion in NYS;
  • Collect a projected $477 million in credits; and
  • Hire an estimated 128,165 actors and crew for the 183 projects submitted.

John Ford, President, International Alliance of Theatrical and Stage Employees (IATSE) Local 52 said, “The men and women of the IATSE look forward to participating in this ground breaking endeavor. Thanks to the vision of Governor Cuomo and the Legislature, the long term funding of the production incentives gives employers the comfort they need to invest in these new avenues of entertainment, which will provide thousands of new jobs with good wages and benefits.”

Thomas J. O’Donnell, President Teamsters Local 817 said, “Theatrical Teamsters Local 817 is thrilled that Marvel’s newest television series will be filmed in New York. This long-term commitment is an incredible accomplishment that will bring not just jobs, but also stability to our members work and family lives.”

 

 

About Dan Ochiva

New York City-based journalist and NYCPPNEWS founder Dan Ochiva writes and consults on film, video, and digital media technology.

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

NJ – Governor Murphy signs $14B Incentive Program Bill – the NJ Economic Recovery Act of 2020

 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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