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Home » Fincher’s “Gone Girl” to Open The 52nd New York Film Festival

Fincher’s “Gone Girl” to Open The 52nd New York Film Festival

The Film Society of Lincoln Center announced today that David Fincher’s Gone Girl will make its World Premiere as the Opening Night selection for the upcoming 52nd New York Film Festival (September 26 – October 12), which will kick off at Alice Tully Hall and return to Tavern on the Green for the after party. Based upon the global best seller by Gillian Flynn, and starring Academy Award® winner Ben Affleck, Rosamund Pike, Neil Patrick Harris, and Tyler Perry, Gone Girl marks Fincher’s return to the festival since The Social Network, the 2010 Opening Night Gala selection. The 20th Century Fox and New Regency release is due in theaters on October 3, 2014.

New York Film Festival Director and Selection Committee Chair, Kent Jones said: “Gone Girl is so many things at once: sharp as a razor about many aspects of American life that have been untouched by movies, very tough and just as funny, brilliantly acted, and 100% entertaining—a wild ride from start to finish. In short, a great American movie based on a literary phenomenon, directed by one of the best filmmakers alive. I’m so proud to have the world premiere of this film as our opening night.”

David Fincher’s film version of Gillian Flynn’s phenomenally successful best seller (adapted by the author) is one wild cinematic ride, a perfectly cast and intensely compressed portrait of a recession-era marriage contained within a devastating depiction of celebrity/media culture, shifting gears as smoothly as a Maserati 250F. Ben Affleck is Nick Dunne, whose wife Amy (Rosamund Pike) goes missing on the day of their fifth anniversary.

Neil Patrick Harris is Amy’s old boyfriend Desi, Carrie Coon (who played Honey in Tracy Letts’s acclaimed production of Who’s Afraid of Virginia Woolf?) is Nick’s sister Margo, Kim Dickens (Treme, Friday Night Lights) is Detective Rhonda Boney, and Tyler Perry is Nick’s superstar lawyer Tanner Bolt. At once a grand panoramic vision of middle America, a uniquely disturbing exploration of the fault lines in a marriage, and a comedy that starts pitch black and only gets blacker, Gone Girl is a great work of popular art by a great artist.

The 52nd NYFF also marks the return to Tavern on the Green, a longtime destination for the evening’s after party, which came to an end when it closed in 2009. In May, owners Jim Caiola and David Salama reopened this New York landmark, decorated to evoke the original Victorian Gothic structure.

The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Marian Masone, FSLC Senior Programming Advisor; Gavin Smith, Editor-in-Chief, Film Comment; and Amy Taubin, Contributing Editor, Film Comment and Sight & Sound.

NYFF previously announced the retrospective, Joseph L. Mankiewicz: The Essential Iconoclast, to take place during this year’s festival, as well as initial selections in the Revivals section of the festival to include Burroughs: The Movie, The Color of Pomegranates, Hiroshima Mon Amour, and Once Upon a Time in America.

Tickets for the 52nd New York Film Festival will go on sale to the general public at noon on Sunday, September 7. Becoming a Film Society member before July 31 provides access to a pre-sale period for single tickets to festival screenings and events ahead of the general public on-sale date.

Subscription Packages and VIP Passes to NYFF52 give the buyer the earliest access to tickets and are on sale through July 31. Depending on the level purchased, packages and passes provide access to Main Slate and Special Event screenings including those on the Opening, Centerpiece and Closing nights of the festival. VIP passes also provide access to many exciting events including the invitation-only Opening Night party, “ An Evening With…” Dinner, Filmmaker Brunch, and VIP Lounge. For information about purchasing Subscription Packages and VIP Passes, go to filmlinc.com/NYFF. To find out how to become a Film Society member, visit filmlinc.com/membership.

New York Film Festival Opening Night Films

1963    The Exterminating Angel (Luis Buñuel, Mexico)
1964    Hamlet (Grigori Kozintsev, USSR)
1965    Alphaville (Jean-Luc Godard, France)
1966    Loves of a Blonde (Milos Forman, Czechoslovakia)
1967    The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1968    Capricious Summer (Jiri Menzel, Czechoslovakia)
1969    Bob & Carol & Ted & Alice (Paul Mazursky, US)
1970    The Wild Child (François Truffaut, France)
1971    The Debut (Gleb Panfilov, Soviet Union)
1972    Chloe in the Afternoon (Eric Rohmer, France)
1973    Day for Night (François Truffaut, France)
1974    Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1975    Conversation Piece (Luchino Visconti, Italy)
1976    Small Change (François Truffaut, France)
1977    One Sings, the Other Doesn’t (Agnès Varda, France)
1978    A Wedding (Robert Altman, US)
1979    Luna (Bernardo Bertolucci, Italy/US)
1980    Melvin and Howard (Jonathan Demme, US)
1981    Chariots of Fire (Hugh Hudson, UK)
1982    Veronika Voss (Rainer Werner Fassbinder, West Germany)
1983    The Big Chill (Lawrence Kasdan, US)
1984    Country (Richard Pearce, US)
1985    Ran (Akira Kurosawa, Japan)
1986    Down by Law (Jim Jarmusch, US)
1987    Dark Eyes (Nikita Mikhalkov, Soviet Union)
1988    Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1989    Too Beautiful for You (Bertrand Blier, France)
1990    Miller’s Crossing (Joel Coen, US)
1991    The Double Life of Veronique (Krysztof Kieslowski, Poland/France)
1992    Olivier Olivier (Agnieszka Holland, France)
1993    Short Cuts (Robert Altman, US)
1994    Pulp Fiction (Quentin Tarantino, US)
1995    Shanghai Triad (Zhang Yimou, China)
1996    Secrets & Lies (Mike Leigh, UK)
1997    The Ice Storm (Ang Lee, US)
1998    Celebrity (Woody Allen, US)
1999    All About My Mother (Pedro Almodóvar, Spain)
2000    Dancer in the Dark (Lars von Trier, Denmark)
2001    Va Savoir (Jacques Rivette, France)
2002    About Schmidt (Alexander Payne, US)
2003    Mystic River (Clint Eastwood, US)
2004    Look At Me (Agnès Jaoui, France)
2005    Good Night, and Good Luck. (George Clooney, US)
2006    The Queen (Stephen Frears, UK)
2007    The Darjeeling Limited (Wes Anderson, US)
2008    The Class (Laurent Cantet, France)
2009    Wild Grass (Alain Resnais, France)
2010    The Social Network (David Fincher, US)
2011    Carnage (Roman Polanski, France/Poland)
2012    Life of Pi (Ang Lee, US)
2013    Captain Phillips (Paul Greengrass, US)

About FILM SOCIETY OF LINCOLN CENTER

Founded in 1969 to celebrate American and international cinema, the Film Society of Lincoln Center works to recognize established and emerging filmmakers, support important new work, and to enhance the awareness, accessibility, and understanding of the moving image.

The Film Society produces the renowned New York Film Festival, a curated selection of the year’s most significant new film work, and presents or collaborates on other annual New York City festivals including Dance on Camera, Film Comment Selects, Human Rights Watch Film Festival, Latinbeat, New Directors/New Films, NewFest, New York African Film Festival, New York Asian Film Festival, New York Jewish Film Festival, Open Roads: New Italian Cinema and Rendez-Vous with French Cinema.

In addition to publishing the award-winning Film Comment magazine, The Film Society recognizes an artist’s unique achievement in film with the prestigious Chaplin Award. The Film Society’s state-of-the-art Walter Reade Theater and the Elinor Bunin Munroe Film Center, located at Lincoln Center, provide a home for year-round programs and the New York City film community.

The Film Society receives generous, year-round support from Royal Bank of Canada, Jaeger-LeCoultre, American Airlines, The New York Times, Stella Artois, HBO®, the Kobal Collection, Trump International Hotel and Tower, Row NYC Hotel, the National Endowment for the Arts, and the New York State Council on the Arts.

Support for the New York Film Festival is also generously provided by KIND Bars, Portage World Wide Inc., WABC-7, and WNET New York Public Media.

For more information, visit www.filmlinc.com follow @filmlinc on Twitter.

 

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

NJ – Governor Murphy signs $14B Incentive Program Bill – the NJ Economic Recovery Act of 2020

 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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