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Home » GPL Tech Hires Chris Peterson to Head Up East Coast Sales and Operations

GPL Tech Hires Chris Peterson to Head Up East Coast Sales and Operations

GPL Technologies, a leading provider of IT services to the media and entertainment industry, has chosen post production industry veteran Chris Peterson to lead its office on the East Coast.

Peterson, who will serve as Account Manager/Northeast from GPL’s New York office, brings extensive experience as a producer, post production executive and marketing specialist. He most recently served as Director of Sales & Marketing and In-House Producer at Post Factory NY. In his new role, Peterson will direct GPL’ s east coast Managed Services, Infrastructure Solutions, Hardware-as-a-Service (VFXnow) and IT Staffing (Breed Staffing) divisions.

GPL Technologies launched its East Coast office last year to assist companies involved in film, television and advertising production with their IT and technology needs. “We have received an enthusiastic response from visual effects houses, post facilities, advertising agencies and other creative companies seeking experienced IT support in order to continue to manage their workflows and grow,” said GPL Technologies President Brian Terrell. “Chris is a great addition to our team. He brings diverse experience and wide respect throughout the production and post production community. We expect to benefit greatly from his knowledge and leadership as we build our footprint in the East.”

Current clients of GPL Technologies, New York, include The Molecule, Brainstorm, Stephen David Entertainment, Brand New School, Eyeball and Baltimore advertising agency TB&C.

At Post Factory NY, Peterson provided sales and production support to a prestigious clientele that included studios, independent producers, television networks, filmmakers and advertising agencies. Previous to that, he served as an Executive Producer for Bang Music.

As a producer and post producer, Peterson has created content for E! Networks, Howard Stern On Demand and other broadcasters. He currently serves on the Board of Post New York Alliance. He is a member of the Advertising Club of New York and received its 2014 President’s Award. Additionally, he is a member of the Association of Independent Commercial Producers (AICP), and a graduate of George Washington University.

In discussing his move to GPL, Peterson said that New York State tax incentives have led to a dramatic increase in production and post production activity, and that, in turn, has created a need for specialized IT support. “The tax incentives have brought new shops to New York and made existing companies busier,” Peterson said. “Those companies need gear, they need advice, they need support and they need IT staff, all things that GPL provides. New York needs to show the entertainment industry that it has the pipeline to handle the higher volume of work. We can be a valuable partner to creative companies and help ensure that they have the resources to get the job done.”

About GPL Technologies

Founded in Los Angeles, Calif., in 2003, GPL draws on over a decade of expertise as trusted technology advisers, adding value for our customers by offering personalized methods of improving IT efficiency, streamlining complex systems and environments, and reducing the costs associated with acquiring and maintaining IT systems with innovative managed services and financial solutions.

For further information, visit http://www.gpltech.com/

About Dan Ochiva

New York City-based journalist and NYCPPNEWS founder Dan Ochiva writes and consults on film, video, and digital media technology.

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

NJ – Governor Murphy signs $14B Incentive Program Bill – the NJ Economic Recovery Act of 2020

 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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