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Home » Grade Like a Pro: Review of Blackmagic Design’s Mini Panel for DaVinci Resolve

Grade Like a Pro: Review of Blackmagic Design’s Mini Panel for DaVinci Resolve

DaVinci Resolve is, of course, one of the world’s preeminent color grading environments which also includes professional editing, audio mixing and media management. It is used on all sorts of projects such as commercials, music videos, television shows and blockbuster feature films.

While DaVinci Resolve (free) and DaVinci Resolve Studio (whose price has recently been dramatically lowered to a remarkably affordable $299) can be used with a mouse, serious colorists turn to dedicated control panels to do their work, something they consider a must-have accessory. Compared to a humble mouse and keyboard, a control panel allows for more precise control, improved creativity, and enhanced productivity.

For years now, colorists working in DaVinci Resolve Studio could use Blackmagic’s DaVinci Resolve Advanced Panel. At $29,995, the impressively large DaVinci Resolve Advanced Panel is not cheap, but it is comprehensively full-featured and extremely high quality. For serious color facilities, it will pay for itself in a few jobs.

Blackmagic Design’s Advanced Panel has always offered serious colorists a great panel for working with DaVinci Resolve, though it was not exactly cheap.

However, for those who don’t have around 30 Grand to drop on a console (such as freelancers or small, one man shops), there were cheaper options including the Tangent Wave panel, which, for around $1,500 gave you a set of trackerballs, knobs and buttons to use with DaVinci Resolve or DaVinci Resolve Studio and was a popular choice for colorists who could not afford the DaVinci Resolve Advanced Panel.

Things changed last March, however, when Blackmagic introduced two important new portable control panels for DaVinci Resolve and DaVinci Resolve Studio, the DaVinci Resolve Micro Panel and the DaVinci Resolve Mini Panel. Recently, I had the opportunity to evaluate the DaVinci Resolve Mini Panel (the more fully featured of the two) for a couple of weeks. Here are my thoughts on it.

Design

The DaVinci Resolve Mini Panel arrived in an attractive box with a carrying handle on the top. Clearly, the box was meant to be used as a carrying case should you wish to bring it along the with you. This is useful for freelancers and individuals who may wish to take the panel to their next gig or for on-set color correction. While the DaVinci Resolve Mini Panel is not exactly light, it should be no problem taking it around.

The Mini Panel comes in a box that can be used by freelancers as a carrying case.

In fact, one of the first things that becomes apparent when opening the box is just how solid and sturdy the DaVinci Resolve Mini Panel is, a good thing for a machine that has the potential of becoming your center of operations. Its heavy-duty metal enclosure feels like it can survive a fall from the Empire State Building (well, maybe not from the top floor). It’s also an impressively handsome machine. You’re sure to look like a color-correcting pro as you sit behind it on your next assignment spinning the various trackballs and knobs. A console will also give you extra clout in the minds of your clients and, as an added bonus, you may be justified in charging a few extra bucks thanks to the “professional factor” it lends to the equation.

Workflow

The three high quality trackballs feel exceptionally good under your fingers and allow you to manipulate multiple parameters of the image at once such as gamma, lift and gain as well as color balance. Using the trackballs (as well as the various precision control knobs) to color grade your footage, becomes quite natural and opens up a lot of creative possibilities that you don’t get when using a mere mouse. Think of it like trying to give someone a massage with your pinky as opposed to getting a grip on someone’s back with both of your hands. It’s just not the same. Using a control panel to color correct provides a fluid, hands-on experience that enhances your creativity because you can adjust multiple parameters at the same time.

The Mini Panel’s high resolution trackballs and control knobs
deliver precise control and a hands-on feel while grading.

The high-resolution trackballs on the DaVinci Resolve Mini Panel feel great under your hands and provide RGB balance adjustments for lift, gamma and gain, each with a master level control set via a movable outer trackball ring. The primary knobs on the console can be used to control Y Lift, Y Gamma, Y Gain, Contrast, Pivot, Mid-tone Detail, Color Boost, Shadow, Highlight, Saturation, Hue Rotation and Luminance Mix.

Other control knobs allow for super fine control over adjustments and can be pressed to quickly reset a parameter. In addition, buttons are illuminated which makes it easy to see what you are doing and which controls are active, even when the lights are low.

As Professional editing continues to become central to DaVinci Resolve, Blackmagic Design’s new panels includes features, not only for color correction, but to help with editing as well.

It’s always a good idea to keep an eye on the scopes in Resolve
while using the Mini Panel to grade.

One of the major differences between the DaVinci Resolve Mini Panel and the smaller DaVinci Resolve Micro Panel, besides the size, are two high resolution LCD screens which contains loads of menus that allow access to many of the advanced color grading features of the software. They display information and parameter settings for the tool that you’re currently working with and change context depending on what you’re doing.

Naturally, all the panel’s controls and functions are especially useful when used in conjunction with DaVinci Resolve’s various scopes such as RGB Parade and vectorscope to correct problematic footage as well as achieve creative looks.

On the right side of the panel are a wide range of transport and grading control buttons that allow for quick access to commonly used commands, making it much easier than hunting through menus and palettes for a particular setting.

There are also dedicated keys for working with nodes, grabbing stills and navigating the timeline. You can add points on a curve and adjust them as well as work with power windows without your hands ever leaving the console. Almost everything important can be done with the DaVinci Resolve Mini Panel and Blackmagic Design continues to expand the capabilities of the machine.

Connecting the Mini Panel requires a USB-C cable (included) and a power chord.

Conclusion

If you’re serious about color grading, you should consider adding a DaVinci Resolve Mini Panel to your DaVinci Resolve workflow. Its three high-resolution weighted trackballs, 12 control knobs, 18 dedicated navigation and transport keys and its two 5” LCD screens (as well as other controls) will help you be more effective and creative in your color grading work. At $2,995, the panel is also a good value. It’s much cheaper than the advanced panel and is of significant higher quality than other third-party consoles at comparable prices.

About Joe Herman

Joe Herman is a filmmaker, artist and post production specialist and writes often about the industry. You can reach him at joe[at]legendmultimedia[dot]com. Or reach and follow him on Twitter @JoeHermanTweets.

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Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

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 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

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For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

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Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

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To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

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To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

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In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

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The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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