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The Hurt Locker, of course, pulled in a raft of Oscars, Golden Globes, and other awards. But its connection to Abel Cine might not be as well known. Turns out the film relied on gear provided by the rental/sales house including Aaton (XTRprod and A-Minima 16mm film cameras) and the Phantom high-speed digital camera.
Digital Cinema Report features a story on it, including an interview with cinematographer Barry Ackroyd, a long time Aaton user.
