Martin-Cohen motion pictures editors guild awardee

Martin Cohen Gains Top Honors from Motion Picture Editors Guild

The Motion Picture Editors Guild (MPEG) will honor veteran post-production executive and producer Martin Cohen with its prestigious Fellowship and Service Award, recognizing an individual who embodies the values set forth by the Guild: professionalism, collaboration, mentorship, generosity of spirit and commitment to the labor movement. Cohen will receive the award at a gala in his honor on October 5th at the Sheraton Universal Hotel in Universal City.

Martin Cohen has served as head of post-production as well as overseeing editorial, sound design, digital intermediates and piracy protection for Amblin Entertainment and Paramount Studios.

Cohen has also produced and executive produced films such as “The Hunger Games,” “Mothman,” “The Seventh Son” and “Godzilla.” He also directed an episode of the web series, “Action Figures.” As well as working in production, Cohen also served film preservation efforts with passion. He helped to restore timeless classics like Francis Ford Coppola’s “The Godfather” trilogy and “Jaws.”

“We are delighted to honor Marty with our Fellowship and Service award,” stated Alan Heim, ACE, President of the Motion Picture Editors Guild. “He perfectly exemplifies the values that the Guild holds most dear by forging a career in this industry that has served not only the films on which he has worked, but the many filmmakers and colleagues with whom he’s collaborated. He has consistently given back to our community and that makes him the ideal recipient for our highest honor.”

“I am honored and deeply moved that the Editors Guild is bestowing me with this prestigious award. I thank all my Brothers and Sisters for this honor!” stated Cohen.

The Fellowship and Service Award was established 12 years ago by the Guild’s Board of Directors. Previous recipients of this distinguished honor are Dede Allen, ACE; Joseph Aredas; Lillian Benson, ACE; Donn Cambern, ACE; Lee Dichter, CAS; Don Hall; Carol Littleton, ACE; Donald O. Mitchell and Thomas C. Short.

For more information please visit www.editorsguild.com

A letter from International Cinematographers Guild President John Lindley and 13 other top cinematographers was sent to Hollywood studios urging them to reduce excessively long workday hours on film sets as they resumed talks with IATSE on Tuesday on a new collective bargaining agreement.

Along with Lindley, the letter was signed by four Oscar-winning cinematographers, including Roger A. Deakins (“1917,” “Blade Runner 2049”), Emmanuel Lubezki (“The Revenant”), Erik Messerschmidt (“Mank”), and John Toll (“Braveheart”).

Read the full article on TheWrap by clicking here.

PITTSFIELD — Get Diane Pearlman talking about visual effects and she will provide several stories about cutting-edge techniques that were created in the Berkshires for many well-known movies.

For six years in the 1990s, Pearlman served as executive producer and general manager of Mass.Illusion, a visual effects movie studio that had an office in Lenox. Two movies that Mass.Illusion worked on in the Berkshires, “What Dreams May Come” and “The Matrix,” received Academy Awards for visual effects in 1999 and 2000, respectively.

Mass.Illusions no longer exists, but Pearlman remained in the Berkshires after the company was sold. She now serves as executive director of the Berkshire Film and Media Collaborative, an organization that promotes and facilitates film and media production in the Berkshires.

To read the full story on The Berkshire Eagle, click here.

Last month, Ben Gottlieb, a 27-year-old set lighting technician, wanted to show his support for his union’s campaign to improve working conditions on film sets so he wrote an Instagram post calling for an end to 12- to 14-hour shifts.

As with many of his colleagues, the Brooklynite felt burned out after working grueling hours without substantial breaks for much of the last year. Some nights, he was so tired driving home that he felt inebriated. He even thought about quitting — only two years after joining his union, IATSE Local 52.

The post struck a chord, drawing more than 21,000 likes. Gottlieb was soon inundated with messages from industry colleagues sharing their own stories, which prompted him to create a dedicated page called IATSE Stories. In just a few weeks, more than 500 posts have drawn nearly 17,000 followers to the page.

To read the entire story on the Los Angeles Times’ site, click here.

IATSE leaders say they remain “very far apart” on a wide range of issues in their negotiations with management’s AMPTP for a new film and TV contract.

“After more than six weeks of negotiation over a period of four months, it remains clear that the employers are unwilling to resolve our priority issues – living wages, reasonable rest, meal breaks, sustainable benefits and streaming – aka ‘not so new media,’” IATSE president Matthew Loeb and leaders of the union’s 13 West Coast studio locals said today in a message to their members.

To read the full article on Deadline.com, click here.

IATSE is gearing up for a possible strike against the film and television industry, which would be the first industry-wide strike in the union’s history. The union and management’s AMPTP will return to the bargaining table on Thursday in an effort to reach an agreement on a new film and TV contract in advance of Friday’s expiration of their current deal.

A strike, if it comes to that, would still be several weeks away, however, as IATSE continues to lay the groundwork for a possible walkout, which includes a text-messaging campaign to educate members about the negotiations and what’s at stake.

To read the full article on Deadline, click here.