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Home » Northern Lights Adds Editor Josh Towvim

Northern Lights Adds Editor Josh Towvim

New York-based editorial house Northern Lights adds editor Josh Towvim to their roster. Towvim’s dexterous approach to editing accentuated by his talents for sound design, comedy and visual effects can be seen in his work on diverse campaigns for top brands including Sony, Ford, ESPN, Nike, Mercedes-Benz, Volkswagen, Coca-Cola and Citibank. He comes to Northern Lights from Red Car. 

His work spans a wide range from daringly precise auto spots, to dialogue-driven comedy spots and highly cinematic spots with deftly matched sonic elements. Towvim has also delved into film work, cutting the 5-minute humorous short film “Daddy,” which appeared on HBO, following a man who gets pregnant.

Editor Josh Torwin brings his talents for sound design, comedy and visual effects to Northern Lights.

Notes Northern Lights Executive Producer Robin Hall, “Josh’s creativity, work ethic and editorial skills make him a great addition to the team. He understands what goes into making a project successful, and is totally focused on making that happen. He innately understands that a great edit transcends delivery mediums.”

Notes Towvim, “One of the reasons I’m so excited to be joining Northern Lights is that they are so well positioned to meet the challenges of a changing industry. They offer full service creative solutions in one shop, which opens up opportunities to a wide range of work.”

Boston-native Towvim became immersed in film production through his high school’s film program, getting his feet wet on projects both as a director and editor. He continued to hone his craft through internships at Washington University in St. Louis, MO and moved to NYC in 1999 to pursue editing professionally. Following a stint as an assistant at the now-shuttered Tapestry Productions, Towvim joined Bug Editorial in 2001 as an Assistant Editor under Owner/Editor Andre Betz.

He was promoted to an Editor in 2004, and remained at Bug for four more years, sinking his teeth into campaigns for Volkswagen, Citibank, Volvo, Puma, Comedy Central, Progressive and Audi. In 2008, Towvim moved to MacKenzie Cutler where he earned a New York Emmy Award for his work on the humorous SportsNet New York spot “Lessons Learned” before heading to Red Car three years later in 2011. While not editing, he hones his visual aesthetic through his own photography.

About Northern Lights
Northern Lights is a thriving bi-coastal (NY/LA) editorial and post production boutique featuring filmmakers and visual artists with a passion for telling stories.

From Promax and Emmy-winning TV branding to commercials, film and Internet content, Northern Lights has been a destination for original ideas since 1995. 

The company’s award-winning talent is continually creating new ways to interpret footage for all modern delivery platforms. Their unmatched ability to shape ideas into focused content for brands is fed by a creative environment that fosters trying new things and taking risks.

Northern Lights teams up with sister companies Mr. Wonderful for design, www.mrwonderful.tv, SuperExploder, www.superexploder.com, for composing and audio post, and Bodega,www.bodegastudios.com, for creative assignments and production. Working together, they’re a powerful one-stop resource that tailors their offerings to each individual client and filmmaker’s needs. 

–SHOOT Publicity Wire

About Dan Ochiva

New York City-based journalist and NYCPPNEWS founder Dan Ochiva writes and consults on film, video, and digital media technology.

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

NJ – Governor Murphy signs $14B Incentive Program Bill – the NJ Economic Recovery Act of 2020

 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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