Adobe Premiere Pro Archives — NYCPPNEWS

What’s New, Creative Cloud? We Offer Our Take on Adobe’s Spring Updates

It’s Been 16 Years Since Creative Suite Launched. Does Cloud-centric Adobe Still Deliver? Twice a year – we’re used to it already. “It” is when Adobe announces its upgrades to Creative Cloud suite. So much of our industry depends upon this family of video and audio apps including Premiere Pro, After Effects, Audition, Character Animator, […]

What was Big at Adobe MAX

Photoshop on iPad, Easy Interactive AR and AI, Streaming Everywhere Image: Adorama’s Interactive Challenge found Adobe MAX attendees confronting a live model in a Victorian-era set with five minutes to capture an image. Photo by @slashvisuals by Joseph Herman This week saw Adobe’s annual MAX conference unreel in Los Angeles. Thousands of creatives and coders […]

Adobe SpeedGrade CS6 – Can Color Grading Go Mainstream?

Was Adobe’s Creative Suite missing something? For years the Production Premium version of Creative Suite gave you what you needed to author a complete video production. Does it need a color-grading app too?

Week in Review: HP’s Double Dare, $700 Camera Wins Big, and More

In our regular take on the news of the prior week, we look at editing dangerous tricks quickly, a $700 camera winner, easier 3D for AE, and more.

Week in Review: HP’s Double Dare, $700 Camera Wins Big, and More

In our regular take on the news of the prior week, we look at editing dangerous tricks quickly, a $700 camera winner, easier 3D for AE, and more.

What’s Autodesk Up To?

While the economy might be sputtering along, companies involved in delivering creative media creation tools are doubling down on their purchases. In her article “Autodesk’s year of living acquisitively”, posted on Jon Peddie’s Graphic Speak site, Kathleen Maher reports that Autodesk went on a shopping spree for companies and technologies in 2011. The result? The […]

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.