camcorder Archives — NYCPPNEWS

A Look Back at NAB 2012, Part One

What? A review of NAB one month after it started? What can you be thinking? I’ve never been a fan of instant analysis of new technology. That’s especially the case when it comes to a frenetically paced show like NAB. Most every company thinks–or at least hopes–that it has the potential hit technology of the […]

Crucial Sony and Adobe Moves Highlight IBC 2011

Among the announcements at the show, Sony’s F65 camcorder and Adobe’s announcement of the purchase of the Iridas IP stand out as bellwether developments…

Sony & Adobe Double Down

This week we check out new technologies that could topple leading companies, consider if New York production incentives are fair, and bid farewell to two pioneering filmmakers…

Will Netflix Save Indie Production?

Our look at news items from the prior week includes Web distribution of movies, gear to help field production, and a non-aerosol method of painting your graffiti tag…

The Past Week in Review, for April 25th

This week we have a look at some of the news from the Tribeca Film Festival, whether or not transmedia means anything of importance, and how DSLRs like Canon’s 5D now get important help from industry mainstays.

D.W. Leitner Podcasts on NAB 2011 in his Final Show Wrap-Up

D.W. Leitner’s podcasts bring our series on developments at NAB 2011 to a close, as the DP/director assesses Apple’s surprise product announcement, how solid-state drive technology is changing production, and why new digital sensors take us back to the beginnings of photography.

Best of Tech 2010 Part 2

Here’s Part 2 of our list of the best new tech of 2010…

D.W. Leitner Podcasts about NAB 2010 – Day 3

The first blog talks about the sense of optimism at the show that seems to be due to interest in 3D…

D.W. Leitner Podcasts about NAB 2010 – Day Two

Day Two of D.W. Leitner’s podcast from NAB 2010 includes his take on Arri’s new, less-expensive Alexa digital camera…

Cameras at NAB 2010

ProVideo Coalition writers cover new cameras at NAB 2010.

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.