Manhattan Edit Workshop Archives — NYCPPNEWS

4th Annual Sight, Sound & Story: The Art of Cinematography Symposium Returns to NYC

An Evening Featuring In-Depth Conversations with Master Filmmakers Set for December 5th New York, NY – Manhattan Edit Workshop, the East coast leader in education for content creators, announces the return of “Sight, Sound & Story: The Art of Cinematography” on December 5th at the NYIT Auditorium Theater on Broadway. This year’s event showcases some […]

Catch Some Editing Insight at Bobbie O’Steen’s Classic Cinema Class

Author and teacher Bobbie O’Steen shares her insight into smart editing at Manhattan Edit Workshop’s new class starting January 7th. Bobbie O’Steen has authored a couple of acclaimed books on editing – Cut to the Chase and The Invisible Cut. That’s nice. But what’s better is to step up your editing game by attending at her very […]

Catch Some Editing Insight at Bobbie O’Steen’s Classic Cinema Class

Author and teacher Bobbie O’Steen shares her insight into smart editing at Manhattan Edit Workshop’s new class starting January 7th. Bobbie O’Steen has authored a couple of acclaimed books on editing – Cut to the Chase and The Invisible Cut. That’s nice. But what’s better is to step up your editing game by attending at her very […]

So What Do Editors Talk About When They Talk All Day?

I had a chance to cover the seminar “Inside the Cutting Room: Sight, Sound & Story” earlier this month. Organized by Manhattan Edit Workshop, the City’s leading edit training operation, the day-long gathering pulled together multiple generations of top editing talent…

Legends of Storytelling Gather in Manhattan for Inside The Cutting Room: Sight, Sound and Story

This is the first year in which Manhattan Edit Workshop picks up the editors’ symposium from its prior producers. These presentations are unique; if you are at all interested in how an editor takes a director’s often inchoate material and weaves a relevant story out of it all, this is for you. Not to be missed…

Legends of Storytelling Gather in Manhattan for Inside The Cutting Room: Sight, Sound and Story

This is the first year in which Manhattan Edit Workshop picks up the editors’ symposium from its prior producers. These presentations are unique; if you are at all interested in how an editor takes a director’s often inchoate material and weaves a relevant story out of it all, this is for you. Not to be missed…

An Evening with Editor Tariq Anwar

It was a rainy Thursday night in late October when I attended a screening and talk by the highly esteemed motion picture editor Tariq Anwar A.C.E. at the Florence Gould Hall Theater in Manhattan. With a long list of credits to his name, Mr. Anwar’s filmography includes well-known films such as The Madness of King […]

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.