motion graphics Archives — NYCPPNEWS

Adobe Reveals Great New Video Chops at IBC 2017

Adobe unveiled a tasty bundle of updates to its Creative Cloud video applications at IBC 2017. The Amsterdam-based show doesn’t garner the same slew of new product intros that NAB does. But many companies big and small save their latest-and-greatest announcements for this Fall show for that very reason of a lowered PR frenzy. Adobe […]

Blackmagic Rolls Out Major Update to Fusion 9

Blackmagic Design has a history of acquiring high-end sophisticated post production software, releasing a free version or a pro version for a reasonable cost, and then continuing to develop the software with major updates packed with great new features. This was the case with DaVinci Resolve and continues with Fusion, a powerful node based compositing, […]

SCAD Students and CINEMA 4D Help Fox Sports Create Animated Open For Super Bowl

In the old days, and I’m talking about the Renaissance here, art students served as apprentices in the studios of well-known artists — working on real-world projects such as public works and commissions. I’ve always thought that was a good idea so when I heard about college students tackling a real world creative challenge, namely […]

Joe Herman Delivers Collider NY talk on VFX with CINEMA 4D and After Effects

Animator, filmmaker, MAXON rep and NYCPPNews senior editor Joe Herman is on tap to deliver a talk at the upcoming Collider NY 2013 conference which begins this Sunday, June 9th…

What’s Next After MAXON and Adobe Announce Strategic Alliance?

If you don’t have what you need in your toolbox, getting a friend to loan what you need makes sense. That’s one way to look at the announcement this past week that Adobe and MAXON have crafted a strategic alliance to work on bettering the interoperability between their product lines…

Getting More Out of After Effects CS5

(Chris and Trish Meyer) are true pioneers of employing desktop apps in pro productions, and are probably the best-known AE trainers in the biz.

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.