Premiere Pro Archives — NYCPPNEWS

See You at Sundance! NYCPP News to Report from Acclaimed Film Festival

Image: Emily Skeggs and Kyle Gallner appear in Dinner in America by Adam Rehmeier, an official selection of the U.S. Dramatic Competition at the 2020 Sundance Film Festival. Courtesy of Sundance Institute | photo by Philippe Bernier. The Sundance Film Festival starts tomorrow – January 23 – and I’ll be in Park City, Utah to […]

Adobe’s Hollywood Downpayment – Premiere Goes to the Movies

Adobe finally bought into a dream house. The San Jose-based company recently began leasing a 3,000 sq ft space in Santa Monica (at 429 Santa Monica Boulevard), making this its first big push into the entertainment market with the setting up of a full-service shop for the LA creative community. Adobe’s Creative Cloud tools are […]

Adobe Reveals Great New Video Chops at IBC 2017

Adobe unveiled a tasty bundle of updates to its Creative Cloud video applications at IBC 2017. The Amsterdam-based show doesn’t garner the same slew of new product intros that NAB does. But many companies big and small save their latest-and-greatest announcements for this Fall show for that very reason of a lowered PR frenzy. Adobe […]

A Brief History of Editing Technology

If you’ve gotten involved in motion picture or television editing during the last fifteen years or so, there’s a good chance that your world has been entirely digital from the get-go. If you’re a bit older, you can recall the days before electronic tools came onto the scene, and might even feel younger editors are […]

Adobe Launches Production Premium CS6

At NAB 2012, Adobe launched a highly anticipated version of the Creative Suite. The new CS6 includes a make or break rebuild of Premiere Pro, its potent NLE that seeks to expand upon its base and capture those disappointed, professional Final Cut users feeling bereft upon the Version X upgrade. The release of CS6 is […]

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.