Previsualization Archives — NYCPPNEWS

Real Time Animation: Review of Reallusion’s iClone 7

As GPUs, from companies such as NVIDIA and AMD, have gotten ever more powerful over the past few years, they have become able to deliver real-time 3D performance in ways that we once dreamed about. This is true especially in games, where realistic 3D scenes are interactively rendered in real-time during gameplay. Now convincing real […]

Filmmaking Pre-Visualization Reaches Peak Level with ZEUS:Scout

Green screen technology has vastly expanded filmmakers’ creative capabilities, allowing for the development of striking visual effects and virtual environments at low cost and paving the way for exploration of the imagination. But how can filmmakers and actors reach their artistic peak when the fantastical environment they’re meant to interact with is simply a sea […]

The Napoleon Group Gives Breakfast Cereal the 3D Treatment for McCann Workgroup Job

The Napolean Group, around since 1985, must be doing something right: earlier this year the previz/postproduction studio moved into two new floors of the old Kate Spade offices in the Flatiron district. One new feature–a new mo cap system–hits the spot for anyone using previz. Napolean now uses a 12 camera Vicon Bonita system which makes mo cap fast to setup and easy-to-use, unlike earlier systems…

Edit 1 Adds Jessica Tabor As Director of Business Development

Previz studio Edit 1 looks to be pushing its business development with the hiring of Jessica Tabor to generate new clients. Tabor “grew up around advertising” via a father in the New York ad agency business. Edit 1 had recently announced the purchase of an inertial mo cap system, an ideal tool for their commercial previz work…

Previs Studio First In City To Offer Inertial Motion Capture

Pre-visualization boutiqueEdit1 has become the first studio in New York to offer state-of-the-art “inertial” motion capture which provides tremendous advantages over more traditional “optical” motion capture…

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.