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Home » Technicolor – PostWorks New York Applies The Finishing Touch to Indie Drama “Wish You Well”

Technicolor – PostWorks New York Applies The Finishing Touch to Indie Drama “Wish You Well”

Final post production work for the independent drama Wish You Well was recently completed at Technicolor – PostWorks in New York. Directed by Darnell Martin, the film is based on the best-selling novel by David Baldacci, who also wrote the screenplay. Set in the 1940s, it is the story of a young girl, Lou Cardinal, who goes to live with her great-grandmother in Virginia after her writer father is killed in a car accident. The film stars Josh Lucas, Mackenzie Foy and Academy Award-winner Ellen Burstyn.

Technicolor – PostWorks' Martin Zeichner applied the final grade using a Baselight system. Zeichner, whose credits range from The Devil Wears Prada to Boardwalk Empire, worked in concert with cinematographer Frank Prinzi, ASC to accentuate the film's time period and mood. "This film is very much about how the environment shapes the personalities of the characters," Zeichner says. "I took that as my cue to emphasize the beauty of the backgrounds in the photography. Frank and I worked together to bring out the beauty of the land."

Prinzi, says Zeichner, is detail-oriented and knew exactly what he wanted from each scene in the film. Locations are spread across Virginia's Giles County and Prinzi shot each one to bring out its individual personality and place in the film's narrative. Zeichner worked to enhance those qualities in the grade.

"The film moves through various towns, some wealthy, some poorer," Zeichner recalls. "In the story, mining companies have begun to move into the area to strip mine the mountains, and they have created mining towns that feel desolate. We desaturated those places, made them cooler, and less attractive than other towns that were thriving and bustling."

The heart of the film's story involves Lou's struggle to find herself in the wake of losing her parents (her mother is left traumatized and catatonic from the same accident that killed her father) by becoming a writer herself. A scene with Lou working on a submission to a writing contest sponsored by the Saturday Evening Post was also given specialized color treatment. "I applied a combination of soft focus and sharpening to shape the frame the way Frank wanted," Zeichner notes. "It gives the scene a very intimate look."

The producers of Wish You Well are in the process of securing a film sales agent and are aiming for a theatrical release. Zeichner's work in his grading theater at Technicolor – PostWorks ensures that when that happens the final product will look gorgeous. 

About Technicolor – PostWorks New York
Technicolor – PostWorks New York, a Slate Media Group company, is the East Coast's most comprehensive digital motion picture and post-production facility, employing an exceptional team of artists, engineers and project managers to serve our clients through the film and TV finishing process.

Technicolor – PostWorks New York offers one complete source for every post requirement, including data workflows, film processing, telecine/scanning, non-linear editorial and HD picture finishing, digital intermediate and film recording, high-volume encoding and high-speed data transmission, as well as comprehensive film and TV sound services on nine mix stages.

For more information, visit www.technicolorpwny.com.

About Slate Media Group
Slate Media Group is an entertainment technology services company driven to redefine the intersection of technology and creativity. The company provides film and television studios, production companies, independent producers and other content creators with technologies, services and expertise that are crucial to bringing their creative visions to life. At a time when tools and techniques of media production are undergoing revolutionary change, Slate Media Group collaborates with its clients to develop unique solutions to the challenges they face to help them achieve even higher levels of creative excellence and production efficiency. 

–SHOOT Publicity Wire

About Dan Ochiva

New York City-based journalist and NYCPPNEWS founder Dan Ochiva writes and consults on film, video, and digital media technology.

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

NJ – Governor Murphy signs $14B Incentive Program Bill – the NJ Economic Recovery Act of 2020

 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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