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Home » Top Names in New York Post to Speak at Post Production Master Class

Top Names in New York Post to Speak at Post Production Master Class

Createasphere, the leading community builder uniting business leaders, content creators, emerging technology providers and thought leaders working in entertainment and media, is pleased to announce the participating speakers for its Post Production Master Class (PPMC), taking place October 7, 2013, at the Westin New York Grand Central.

PPMC offers an afternoon of real-world discussions about the business of post production, where attendees will have the opportunity to meet with and have their questions answered by working industry professionals. The New York PPMC line-up includes:

*Randi Altman, Editor-in-Chief, postPerspective

*Jesse Averna, Editor, Director, The School of Visual Arts’ Continuing Education

*Joe Bierne, Executive Vice President, Technology Group, Technicolor-PostWorks New York

*Jonathan Bird, Host/Producer, Jonathan Bird’s Blue World

*Pete Conlin, Post New York Alliance Board Member, Owner Sixteen19 and Empire Visual Effects

*Nick Dager, Editor & Publisher, Digital Cinema Report

*Liam Ford, Vice President of Technology, Deluxe Creative Services

*Alex Grossman, Vice President of Media Asset Management, Quantum – Big Data – Media And Entertainment

*Lucien Harriot, Executive Producer, Visual Effects Supervisor, Mechanism Digital;

*Chris Pfaff, Chairman, CEO, Producers Guild of America New Media Council East; Chris Pfaff Tech/Media LLC

*Juan Salvo, Colorist, theColourSpace

*Tim Spitzer, Managing Director, Goldcrest Post Productions

*Matthew Schneider, Technology and Business Development, Technicolor-PostWorks New York

Topics to be discussed include: 4K and Beyond; Social Media and Post; and Thriving in Today’s Post World. The limited class size allows for maximum interaction with the speakers, and attendees will come away with a fresh career perspective and new business contacts. The $45 registration fee also includes an evening reception with attendees from the Digital Asset Management Conference, held in conjunction with PPMC at the same venue.

“This is a unique kind of class for post professionals and students,” said Kristin Petrovich Kennedy, President of Createasphere. “Rather than offering hands-on training, which there is already plenty of, the PPMC provides real-world advice and information attendees can use to help further their careers.”

The Post Production Master Class will also be held in Los Angeles on November 7, 2013, during the Entertainment Technology Expo at the Burbank Airport Marriott.

Complete program information and links to registration can be found at http://www.createasphere.com/ppmc.

About Createasphere

Createasphere is the premier business development partner for technology enabled entertainment, marketing, and communications organizations. We advance careers and technologies by connecting world-class professionals globally online and in person.

Createasphere was founded in 2001, and over the past decade has grown into a global company that in 2011 produced seventeen events over three continents as well as five websites. Createasphere became part of Diversified Business Communications in 2008, and now drives its entertainment, media, technology strategies and properties division. Currently, Createasphere produces the Entertainment Technology Expos in Los Angeles; the Digital Asset Management Conference in New York and Los Angeles; The DAMMY Awards in New York; the Post Production Master Classes in New York and Los Angeles, the Digital Process Workflow Lab; The TransVergence Summit and the online news and content portals ProVideoCoalition.com, DamCoalition.com, TransmediaCoalition.com and ProPhotoCoalition.com.

About Dan Ochiva

New York City-based journalist and NYCPPNEWS founder Dan Ochiva writes and consults on film, video, and digital media technology.

Community & Partner Links

How Sony’s New Virtual Sound Technology Can Change How We Hear Films

Kami Asgar and Jessica Parks are post-production heavyweights who work with major studios, namely Sony. As a sound designer (Asgar) and as a post executive (Parks), their collective resume touches on everything from Apocalypto to Grandma’s Boy to Venom.

Parks has recently shifted her focus from supervisor to hands-on sound design, and we talk about how it’s never too late to pivot on your career path and find the thing you love doing wherever you are in life.

Click on this link to read the rest of the article on No Film School’s site.

NJ – Governor Murphy signs $14B Incentive Program Bill – the NJ Economic Recovery Act of 2020

 Film tax credits — amending existing programs to include provisions for so-called New Jersey film partners and New Jersey film-lease partners and allowing an additional $200 million of tax credits annually over 13 years.

Click this link if you want to read the full article on the Lexology site. http://bit.ly/35NtDx6

Film Commish announces date for production restart

In her December 18, 2020 news update, MOME Commissioner Anne del Castillo announced that the Film Office is now accepting permit applications for production activity that begins on July 27th.

She also announced awards now (Awkwafina) and more. To read all of the Film Commish’s bloggy sort of news column, click here.

Stimulus Offers $15 Billion in Relief for Struggling Arts Venues

The coronavirus relief package that Congressional leaders agreed to this week includes grant money that many small proprietors described as a last hope for survival.

For the music venue owners, theater producers and cultural institutions that have suffered through the pandemic with no business, the coronavirus relief package that Congress passed on Monday night offers the prospect of aid at last.

To read the full article on The New York Times’ site, click here.

If you want to start production, here’s the latest news from the Mayor’s Office

Phase 4 production guidance is available on the Film Permit website. All production activity, whether it requires a Film Permit or not, must comply with New York Forward Industry Guidance.

For more information see, please refer to the State Department of Health’s Interim Guidance for Media Production During the COVID-19 Public Health Emergency. Please review the guidelines and FAQ before submitting permit applications. The Film Office is operating remotely, so please allow additional time for Film Permit processing.

The above paragraphs contain links to the various FAQ – just mouse over the relevant words.

Nikon to Stop Making Cameras in Japan

Nikon has fallen on hard times as of late as its camera sales have cratered, and now there’s a new indicator of how dire its financial situation is: the company is reportedly pulling the plug on making cameras in Japan after over 70 years of doing so.

To read the full article on Petapixel’s site, click here.

NVIDIA Uses AI to Slash Bandwidth on Video Calls

NVIDIA Research has invented a way to use AI to dramatically reduce video call bandwidth while simultaneously improving quality

What the researchers have achieved has remarkable results: by replacing the traditional h.264 video codec with a neural network, they have managed to reduce the required bandwidth for a video call by an order of magnitude. In one example, the required data rate fell from 97.28 KB/frame to a measly 0.1165 KB/frame – a reduction to 0.1% of required bandwidth.

To read the rest of this article on Petapixel, click this link.

 

 

 

Union Health Plan Dodges Film Workers’ Suit Over Virus Relief

Law360 (October 9, 2020, 5:22 PM EDT) — The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income Security Act suit accusing board members of breaching their duty to treat all plan participants fairly.

Endries and Nichols, members of Local 600 of the International Cinematographers Guild, said in July that the board left them and others “out in the cold” in its attempts to address the problems COVID-19 caused for plan participants.

But Judge Klausner agreed with the board’s contention that the case, which alleged a fiduciary breach, should be tossed because plan administrators don’t act as fiduciaries when they amend health care plans.

Read the full article on the Law360 site by clicking here.

Russo Brothers Received Close to $50 Million From Saudi Bank

Anthony Russo and Joseph Russo photographed at the PMC Studio in Los Angeles for the Variety Playback Podcast.

The Russo brothers, directors of the all-time top grossing film “Avengers: Endgame,” quietly secured a roughly $50 million cash infusion for their production company AGBO from Saudi Arabia earlier this year, multiple sources tell Variety.

In a deal brokered and closed at the beginning of the pandemic, the Russos received the investment from an undisclosed Saudi bank in exchange for a minority stake in the brothers’ Los Angeles-based shop.

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